Blackmagic Design has announced that DaVinci Resolve Studio has been used throughout production and post- production on 20th Century Fox’s Kingsman: The Golden Circle including SDR and HDR delivery.
While Joshua Callis-Smith was responsible for the onset dailies, the online edit and final DI were completed by Goldcrest Post.
The second instalment of the Kingsman comic book adaption saw cinematographer George Richmond reunite with DIT Callis-Smith and Goldcrest senior colorist, Rob Pizzey following their work together on Kingsman: The Secret Service in 2014.
“Our goal with The Golden Circle was to maintain the same slick, rich overall aesthetic as the first film,’ while also ensuring we gave the sequel its own unique look,” says Callis‑Smith.
“Building on our use of Resolve on the first Kingsman film, I ran all of the images into 25 inch OLED monitors which were calibrated to match the DI suite at Goldcrest, and used a Smart Videohub to route pictures to the video operator, who would in turn distribute those images to everyone else,” he adds.
The onset DIT cart also incorporated a Blackmagic UltraStudio 4K capture and playback device along with multiple SmartScope Duo 4K preview monitors. The first grading pass was subsequently completed in DaVinci Resolve with the help of look up tables (LUT) created ahead of time by the colorist, Rob Pizzey.
“Kingsman: The Golden Circle’ was a much bigger proposition than ‘Kingsman: The Secret Service,’ with more ambitious VFX shots as well as an HDR deliverable to consider,” Pizzey explains. “Along with the fact that we were delivering multiple HDR versions including Dolby Vision for theatrical and HDR10 for domestic viewing, we also had a larger number of VFX set pieces, all of which Resolve handled smoothly,” he concludes.
The conform and online edit was also completed in Resolve Studio by Goldcrest’s Daniel Tomlinson, which allowed the in house team to turn around any edit changes and visual effects updates that took place quickly and efficiently.